The Serpent movie review & film summary (2021)

This movie is the filmmaking debut of Russian model Gia Skova, who writes, directs and stars as the main heroine. She plays Lucinda Kavsky, an agent for the CIA. And if you’re wondering how Skova pulls off playing a CIA agent with a Russian accent, don’t worry—her voice is dubbed to make her sound British, for some reason. 

Anyway, she’s on the run because she knows about a plot to turn newborn babies into nuclear weapons. After all, she was the unknowing convoy to a bunch of Chinese bio-engineers and scientists, who were on a secret mission to China to implant a chip into a baby, so that kid can grow up to be a happy, healthy “bio-bomb.”

Yeah, that sounds hella ridiculous, but we just touched the tip of the stupid iceberg. For starters, this movie reveals the identity of the big bad guy who’s been pulling all the strings—the kind of Big Twist that’s usually reserved for the final act—in the first ten minutes. The film then becomes a huge flashback where we see the Serpent unknowingly aiding the Big Bad, while the Big Bad helps her not only save a kid from blowing up, but also track down all the rich psychos who hatched this plan in the first place.

At least, I think that’s how the plot goes. I mean, this thing is all over the place narrative-wise. One minute, the Serpent is sashaying into a strip bar, ready to twist the neck of some guy. The next minute, she’s working at some tony school, befriending a girl so she can get close to her dad, just so she can put a couple of bullets in him. (Apparently, she does this on the same day as the strip-bar hit, since we see the police still investigating the scene while she meets the father.)

Between the wild plot leaps (I haven’t even gotten to the Serpent going to jail for five years for killing a co-worker) and the abundance of characters popping in and out, mostly there to spew exposition (hell, the first ten minutes is an exposition dump nestled inside a car chase, which appears to mostly take place in a fenced-off parking lot), there wasn’t a single moment where I wasn’t lost. 

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